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Can you up the fidelity changing out opamps?

Started by blearyeyes, January 25, 2018, 01:25:55 PM

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blearyeyes

Just wondering your take on changing out TLO72s and 74s with better chips?

midwayfair

You're playing guitar through a guitar amp, right?

blearyeyes

#2
Well, I understand the bandwidth limitations.

midwayfair

The answer is "maybe in some sense of the word improve." A TL072 is possibly the last place I would look to improve fidelity in a circuit, and you'd probably need a scope to notice the difference even assuming that they exist in the circuit. You're better off focusing on ideal impedance matching and noise reduction techniques, that is, making the circuit itself as good as possible. (Noise is the main problem with electric guitars, and humbckers have poorer bandwidth.) If you're worried about headroom, you're also hitting a brick wall in your interface.

Actually, come to think of it, most decent modern interfaces have better instrument DIs than we can build. What are you using?

bsoncini

#4
http://nwavguy.blogspot.fr/2011/08/op-amps-myths-facts.html?m=1

http://nwavguy.blogspot.fr/2011/08/op-amp-measurements.html?m=1

Here is an article aimed at debunking myths for the HiFi guys who normally ignore science anyway. Can be applied to pedals also but not really in distortion pedals but possibly for preamps, boosters etc. But us in the guitar world often like opamp with outdated or weird specs because of their anomalies. We don't always try to faithfully amplify the signal.

Still an interesting read. The main points. Certain circuits are designed around a certain opamp and changing it for a more HiFi one won't necessarily make it better and sometimes make the circuit unstable which I guess goes with what Jon said. And for the money he says it's hard to beat the ne5532.

somnif

Its all about Discrete Op-Amps now man! Embrace the mojo!



(I love those ridiculous buggers. Extreme audiophiles are adorably bizarre sometimes ;D )

EBK

Someone should miniaturize those discrete op amps, add some more parts to improve uniformity, stability, and reliability, and package them into a standardized plastic or ceramic carrier to make them easier to incorporate into existing designs.   :P ::)
"There is a pestilence upon this land. Nothing is sacred. Even those who arrange and design shrubberies are under considerable economic stress in this period in history." --Roger the Shrubber

bsoncini

#7
I do home automation installations for work.  And we do many high end audio installations.  I get all types of weird audiophoolery questions.  Like "I've heard online that bypassing the fuse in the amp makes the sound way better" (sure if you wanna risk frying your 10,000 euros amp and burning you house down), "I've heard that replacing the metal knobs on my amp to wood reduces the resonance and helps with the transients", 1000 euro power chords with silver coated wire, etc.  Then the same guys wanna do something dumb like placing the speakers at opposite corners of the room facing each other.

Anyway back on topic.  A friend asked me to build him a sonic maximizer (madbean bloviator).  I was pretty skeptical going in after either reading online that it is garbage or magical. I built it on vero thinking I was just gonna huck it in the either garbage afterwards. I was plesently surprised by the results.  Different results than I've gotten from an eq pedal.  I hate to be that guy but it really was like "a blanket was lifted off the speakers", well maybe not quite that strong, maybe a thin blanket.  It might just be the gear we tried it on.  But it really shined with modulation pedals and brought a lot of clarity to bass and treble.  It works well with dirt too but really took away some of the balls from some of the fuzz pedals I tried it with.  Anyway, if you wanna try something more "hi-fi" sounding might be worth giving this a shot.

madbean

There's a good EEVBlog video on youTube about techniques you can use to minimize noise in audio amplifiers. Couple things I remember from it: instead of doing a single high gain stage, do two or more lower gain stages in series. Second thing was adding a small amount of series resistance at the output of each stage, like 100R to 1k, to reduce noise. First tip is not so effective in guitar pedals like overdrives because we are typically using them "the wrong way" to create distortion, not minimize it. It's probably more helpful when working with something that's supposed to have fidelity (which ain't guitar pedals). Second tip is useful though and you will see it over and over in circuit designs.

Aleph Null

Quote from: bsoncini on January 26, 2018, 05:56:48 AM
I do home automation installations for work.  And we do many high end audio installations.  I get all types of weird audiophoolery questions.  Like "I've heard online that bypassing the fuse in the amp makes the sound way better" (sure if you wanna risk frying your 10,000 euros amp and burning you house down), "I've heard that replacing the metal knobs on my amp to wood reduces the resonance and helps with the transients", 1000 euro power chords with silver coated wire, etc.  Then the same guys wanna do something dumb like placing the speakers at opposite corners of the room facing each other.

Also gotta make sure those directional cables are plugged in the right way!

jubal81

Opamps can be designed for better performance in different applications. It's become a trope to swap different ones in an overdrive to show they 'all' sound the same.

That being said, there are opamps designed for audio with definite benefits - lower noise, rail-to-rail operation and immunity to phase reversal when overdriven. Take a look at the OPA1642 (SMD only). I used a quad to replace the opamps in an MXR EQ pedal and the noise when from unbearable to almost undetectable.

Of course, overall circuit design plays a bigger factor than opamp selection.
"If you put all the knobs on your amplifier on 10 you can get a much higher reaction-to-effort ratio with an electric guitar than you can with an acoustic."
- David Fair

blearyeyes

#11
If I stuff a pedal with Fritos should I wear a sombrero when I play?

blearyeyes

Quote from: midwayfair on January 25, 2018, 10:42:47 PM
The answer is "maybe in some sense of the word improve." A TL072 is possibly the last place I would look to improve fidelity in a circuit, and you'd probably need a scope to notice the difference even assuming that they exist in the circuit. You're better off focusing on ideal impedance matching and noise reduction techniques, that is, making the circuit itself as good as possible. (Noise is the main problem with electric guitars, and humbckers have poorer bandwidth.) If you're worried about headroom, you're also hitting a brick wall in your interface.

Actually, come to think of it, most decent modern interfaces have better instrument DIs than we can build. What are you using?

I'm using a Scarlett at the moment. For some reason I was thinking that the opamp played a more central role. But now that you mention it, I can see that circuit design would be the obvious place to improve a circuit.. uh, anyway I was thinking that because changing out the opamps in a Urei comp I have laying around here somewhere was something that people did back in the day hmmm.. OK So there is nothing to be gained in broadband phase coherency through opamp selection that you wouldn't look first to the surrounding circuit itself to improve. Is that sorta what you're saying?

blearyeyes

#13
Quote from: bsoncini on January 26, 2018, 12:23:21 AM
http://nwavguy.blogspot.fr/2011/08/op-amps-myths-facts.html?m=1

http://nwavguy.blogspot.fr/2011/08/op-amp-measurements.html?m=1

Here is an article aimed at debunking myths for the HiFi guys who normally ignore science anyway. Can be applied to pedals also but not really in distortion pedals but possibly for preamps, boosters etc. But us in the guitar world often like opamp with outdated or weird specs because of their anomalies. We don't always try to faithfully amplify the signal.

Still an interesting read. The main points. Certain circuits are designed around a certain opamp and changing it for a more HiFi one won't necessarily make it better and sometimes make the circuit unstable which I guess goes with what Jon said. And for the money he says it's hard to beat the ne5532.

Glad I’m not one of those Hi Fi guys. 

I have an old English Hill Audio mixer in the garage with a ton of chips in it. I keep saying I’m going to rummage through it and salvage them. I’ll have to look to see if they are 5532s... That’s what I remember. Ha! Good luck with that.. I can’t remember what I had for breakfast much less a hyped glossy one sheet I read 40 years ago...

somnif

I mean, ne5532's are like 75 cents a piece new, if you want to source them without having to de-solder things.