Hello there,
I was listening to Echoes some days ago and I was wandering how Gilmour got that seagull effect. With a quick search on the web I found that he was using an wah connected in reverse and his tone knob to create a feedback (or something like that, exact instructions here http://www.gilmourish.com/?p=754).
Any way, I was wondering what other crazy sounds you can achieve with using or misusing guitar pedals and guitar controls. The above text is a pretty good example to what I'm looking to see in that post.
I also have my own (kinda) sound I like to mess around with while writting songs that I think I have read it somewhere and I'm copying but I can't remember where.
So, I use a silicon Fuzz Face I've built, to max fuzz, and at the bridge possition on my strat I roll the tone all the way to zero. This gives me an even more dark and distorted fuzz sound than before with more low and mid frequencies. I don't remember if I had the same effect on the middle pickup.
I would like to hear your own tips to achieve wierd (or not) tones that you like to mess around.
I was listening to Echoes some days ago and I was wandering how Gilmour got that seagull effect. With a quick search on the web I found that he was using an wah connected in reverse and his tone knob to create a feedback (or something like that, exact instructions here http://www.gilmourish.com/?p=754).
Any way, I was wondering what other crazy sounds you can achieve with using or misusing guitar pedals and guitar controls. The above text is a pretty good example to what I'm looking to see in that post.
I also have my own (kinda) sound I like to mess around with while writting songs that I think I have read it somewhere and I'm copying but I can't remember where.
So, I use a silicon Fuzz Face I've built, to max fuzz, and at the bridge possition on my strat I roll the tone all the way to zero. This gives me an even more dark and distorted fuzz sound than before with more low and mid frequencies. I don't remember if I had the same effect on the middle pickup.
I would like to hear your own tips to achieve wierd (or not) tones that you like to mess around.