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I'd say it's coming from the stomp switch to turn the LED on/off. You can see it goes to the LED and the circuit then goes from the LED to R6 (the LED resistor).

It occurred to me in a dream that you owe it to yourself to call this pedal the dyana ross.

Err.. No. It's a copy of a Dyna Ross, so it should be called a Jaxon (or Jackson, or Jaxxon, or something Jacko-related (RIP))

Good taste and I have never been close. 

Thanks, All!

I should be finishing marking papers by the middle of next week (woo hoo!  ) so I might do a breadboard  build and see what I come up with.

It's all fun and games, isn't it! Well, it will be after going through another bunch of Copyright Law papers...

Hi, all!  Sorry for the dumb question.

I'm curious about the Neutrino build. I see there is a Burst vs Black build option.

Lovepedals are a bit thin on the ground where I am so I can't A/B. I've had a look on YouTube for Eternities, and the quality hasn't been good enough to pick enough of a difference to convince me one way or another. I also see that Lovepedal has now moved on to the Eternity Fuse, and the "eternity Promo" vid doesn't mention which model, so their site isn't much help. 

So, OK, I see assymetrical clipping, and a bit more filtering; is there a significant tonal difference between Brian's two Neutrinos?   

Cheers

wasteofspace

I'm definitely a player first, builder second.

I teach a Music Industry course, which not only covers performance and composition, but also little issues like copyright, management, and the like. I also play at a minimum three nights a week- not necessarily paying gigs, but in groups or social clubs in the local area. For example, despite not being too interested in the genre, I even go to a country and western social club, just to keep my hand in and my eyes open, if you get my drift.

I've played for over 30 years    and about 5 or 6 years ago, I found that I was getting increasingly unhappy with the sound I was getting. So I started off building little amps then big amps (thank you, Tino Zottola). Having survived tube amp voltages, I started on my effects. I learned as I was going, but also by referring to a lot of forums and exposing my stupidity!

I found that I ended up with a whole lot of gear I was trying out, but through natural selection narrowed it down to a set of good, solid pedals.  Every pedal has either been DIY'd or DIModded, except for a Digitech Brian May I use at some gigs- but I did make a FS3X for switching.

I don't hunt for new FX like I used to, but from time to time some little circuit will catch my eye, and I enjoy not only building it, but playing with it until I decide if it stays or if it goes.

And of course, I find it's wise to have two or three of each pedals. If someone comes up at a gig and offers me $$, I'd be a fool to not hand it over, right?