hello how are you?
I am studying various ham's head!
which was exactly the model that David Gilmour used on The Wall album?
HAM'S HEAD V1 or V2?
I'm riding on Madbean Mudbunny Big Muff (TM) changes is correct?
R1 2M2 C1 100n D1 D4 1n914
R2 33K C2 470p D5 1N4001
R3 100K C3 100n Transistors
R4 470K C4 150n Q1 2N5133
R5 100R C5 470p Pots
R6 12K C6 100n SUST 100kB
R7 820 C7 100n TONE 100kB
R8 7k5 C8 470p VOL 100kA
R9 100K C9 100n MID jumper
R10 470K C10 4n
R11 100R C11 10n
R12 12K C12 100n
R13 7k5 C13 100n
R14 100K C14 100uF
R15 470K C15 100n
R16 100R
R17 12K
R18 33K
R19 33K
R20 390K
R21 100K
R22 12K
R23 3k3
R24 100R
I doubt anyone other than Pete Cornish knows what component values are really in Dave Gilmour's Big Muffs. Here's the most information I've ever seen on the subject (http://www.kitrae.net/music/David_Gilmour_Big_Muff.html). I'm sure there's scads of speculation elsewhere on the Internet.
Quote from: mgwhit on June 13, 2012, 05:36:03 PM
I doubt anyone other than Pete Cornish knows what component values are really in Dave Gilmour's Big Muffs. Here's the most information I've ever seen on the subject (http://www.kitrae.net/music/David_Gilmour_Big_Muff.html). I'm sure there's scads of speculation elsewhere on the Internet.
ok, more modification I did to correct? HAM'S HEAD in (Madbean Mudbunny)
R1 2M2 C1 100n D1 D4 1n914
R2 33K C2 470p D5 1N4001
R3 100K C3 100n Transistors
R4 470K C4 150n Q1 2N5133
R5 100R C5 470p Pots
R6 12K C6 100n SUST 100kB
R7 820 C7 100n TONE 100kB
R8 7k5 C8 470p VOL 100kA
R9 100K C9 100n MID jumper
R10 470K C10 4n
R11 100R C11 10n
R12 12K C12 100n
R13 7k5 C13 100n
R14 100K C14 100uF
R15 470K C15 100n
R16 100R
R17 12K
R18 33K
R19 33K
R20 390K
R21 100K
R22 12K
R23 3k3
R24 100R
Honestly, fretting (no pun intended) over a couple of component values is not going to make a big difference. What you posted above for the Ram's head will be good enough. There are so many other factors that go into the Gilmour sound. I would suggest putting a Colorsound Overdrive after the Ram's head. Set it up at slight overdrive. That is what I do. It sound so much better that way.
Another thing to do is socket C5, C6, C8, C9. Try lowering and raising these values slightly. For instance for C5 and C8 try between 330p and 560p and for C6 and C9 try between 47n and 220n. You may find some values that fit your gear better.
Quote from: crash on June 13, 2012, 11:37:46 PM
Honestly, fretting (no pun intended) over a couple of component values is not going to make a big difference. What you posted above for the Ram's head will be good enough. There are so many other factors that go into the Gilmour sound. I would suggest putting a Colorsound Overdrive after the Ram's head. Set it up at slight overdrive. That is what I do. It sound so much better that way.
Another thing to do is socket C5, C6, C8, C9. Try lowering and raising these values slightly. For instance for C5 and C8 try between 330p and 560p and for C6 and C9 try between 47n and 220n. You may find some values that fit your gear better.
yes yes I know to own equipment and hand (feeling) of each influence on everything, I really like to use TS808 after BIG Muff Fuzz face , I think for my sound is very good.
Most just want to make a clone of RAM'S HEAD.
I appreciate the attention
Quote from: andregarcia57 on June 13, 2012, 03:23:58 PM
hello how are you?
I am studying various ham's head!
mmmmmmmmmmmmmmmmmmmmmm...Ham :P
I was thinking he same thing. Yummy!