Fuzz Tonic (Madbean Wolfshirt)


Enclosure is a Hammond 1590b, painted with Hammerite paints, and labelled with letraset , a child's stencil (borrowed), and ink stamps. The ink stamps didn't come out exactly as intended.
It sounds great, a big octave fuzz. Probably the one fuzz of the three that's capable of the most octave-y fuzz, but possibly not the most unruly of these three fuzzes.
Standard Fuzz (JMK Standard Fuzz)


This was Jacob's PIF from from last year (Thanks Jacob, and sorry it's taken so long to get the build report up!)
I used 2N3904s for the transistors, and the resulting sound is an excellent over-the-top octave-y fuzz, with the tone boost on a DPDT stomp rather than toggle switch, and two separate LEDs.
I'm not proud of the wiring, it's far from tidy, but I'm sure this isn't the intended configuration for this board in this enclosure - I was determined to make it fit this way round even if it made the rest of the build difficult.
Enclosure is a Tayda 125b that was originally intended to be used for the JMK Testing Rig, but having messed up the drilling for the testing rig I used a 1590bb instead for that, repaired this 125b enclosure using JB Weld (which is great stuff, thanks to the guys on the forum that recommended it!), painted it with Hammerite paint, and re-used it for this Standard Fuzz; pots, LEDs, and pedal are labelled with ink stamps. The patching up is visible in the gutshot.
SuperFuzz (Nucleon Superfuzz)


I've been wanting to build a superfuzz for some time. I used BC550s throughout (matched Q4 and Q5, which apparently accentuates the octave, with the lowest value in Q6). For diodes I tried a bunch, opted for 2 x 1n695 diodes for clipping. Last week we had some quality daddy-daughter time painting the enclosure (hammerite primer as a base with acrylic paints on top) - I did the letters, but the colour scheme was all hers. It's a wild, unruly fuzz.
Now, what happens if I chain all three together...


Enclosure is a Hammond 1590b, painted with Hammerite paints, and labelled with letraset , a child's stencil (borrowed), and ink stamps. The ink stamps didn't come out exactly as intended.
It sounds great, a big octave fuzz. Probably the one fuzz of the three that's capable of the most octave-y fuzz, but possibly not the most unruly of these three fuzzes.
Standard Fuzz (JMK Standard Fuzz)


This was Jacob's PIF from from last year (Thanks Jacob, and sorry it's taken so long to get the build report up!)
I used 2N3904s for the transistors, and the resulting sound is an excellent over-the-top octave-y fuzz, with the tone boost on a DPDT stomp rather than toggle switch, and two separate LEDs.
I'm not proud of the wiring, it's far from tidy, but I'm sure this isn't the intended configuration for this board in this enclosure - I was determined to make it fit this way round even if it made the rest of the build difficult.
Enclosure is a Tayda 125b that was originally intended to be used for the JMK Testing Rig, but having messed up the drilling for the testing rig I used a 1590bb instead for that, repaired this 125b enclosure using JB Weld (which is great stuff, thanks to the guys on the forum that recommended it!), painted it with Hammerite paint, and re-used it for this Standard Fuzz; pots, LEDs, and pedal are labelled with ink stamps. The patching up is visible in the gutshot.
SuperFuzz (Nucleon Superfuzz)


I've been wanting to build a superfuzz for some time. I used BC550s throughout (matched Q4 and Q5, which apparently accentuates the octave, with the lowest value in Q6). For diodes I tried a bunch, opted for 2 x 1n695 diodes for clipping. Last week we had some quality daddy-daughter time painting the enclosure (hammerite primer as a base with acrylic paints on top) - I did the letters, but the colour scheme was all hers. It's a wild, unruly fuzz.
Now, what happens if I chain all three together...