Quote from: Stomptown on August 22, 2014, 11:23:14 AMyeahh, difficult point.
As far as attenuators go, it will not get you all the way where you want to go (reduces natural speaker distortion) but it might get you close enough to justify the expense rather than buying a practice amp. I would try the Dr Z Brake Lite if you can find one for a decent price. They seem to hold their value so if you can find one around $130-$140 you should be able to get your money back if you are unhappy with it.
I think 40 Watts is a bit much for a practice amp myself but it depends on the type of music and how loud you practice. If you play a lot of shows and practice is more of a utility thing I would say deal with the crappy toan, however if practice is your primary outlet for making noise then obviously achieving that sound your looking for becomes more important.
I tried attenuators and was not really satisfied so I downsized to a Vox AC15. It made sense since I mostly play bars where 40 watts in a bit much. Ten years ago I was rocking a 60 watt amp and playing a lot of larger venues so an attenuator for practice/small shows made sense. I guess I'm trying to say that you should look at the big picture and see what will work best for your situation...
I´m just starting with this band and is definetly a hobby. some gigs per year but not much.
I also would like to record with the amp, and with the current situation is impossible (at full crunch) :S
Last time i played in a middle size venue and the sound guy asked me to reduce the volume (they always do )
The thing is that i was at my volume on 3. so i had to add the mic a bit further. This was weird. I´ve seen guys playing the amps full power and with the mic totally attached to the amp. What about recording in studio? it wouldnt be too loud to play a 40-50w amp full power to get a nice tone out of it? how they do it?
Do you have any experience with the acrylic shield? would that helps on rehearsal rooms?
thanks for helping