Curious. The part I'm having a hard time understanding is why he insists upon an XLR out. Wouldn't it be easier to just use a 1/4"? It's going to be unbalanced out and it's hitting the mixer either way, so what's the point of taking that last step? Just go 1/4" and bring the level up in the mixer. Or is it not going to a mixer and he needs a balanced level signal from the XLR for some other reason?
On the other hand, I seem to remember reading about how to wire an unbalanced to balanced 3 conductor connector for better noise rejection, but I've never actually tried the thing myself.
Note: I looked it up, it's fig. 2 on this page:
https://www.prosoundweb.com/topics/audio/connecting_unbalanced_outputs_to_balanced_inputs_and_vice_versa/2/
On the other hand, I seem to remember reading about how to wire an unbalanced to balanced 3 conductor connector for better noise rejection, but I've never actually tried the thing myself.
Note: I looked it up, it's fig. 2 on this page:
https://www.prosoundweb.com/topics/audio/connecting_unbalanced_outputs_to_balanced_inputs_and_vice_versa/2/