Quote from: somnif on April 04, 2019, 12:31:00 AMYes, all true. But I was specifically only talking about the switching. It does have other implications, as you stated. To me the most sensible, general approach would be: have at least one pedal with buffered bypass in your setup, in the beginning, or after the fuzz, whatever makes sense. And make the rest true bypass with either 3PDT or relay switching. This way you will mitigate the disadvantages of having only cable between the guitar and the amp and can have as many hardware switches as you want afterwards.Quote from: TFZ on April 03, 2019, 03:40:39 PMQuoteHe also mentioned that the myth that true bypass is "better" is just that and is based more on the early boutique builders's ability to get their hands on 3pdt switches to wire them up than some better sound.That's not a myth. In some ways they are superior to buffered switching: they are a real copper path without any resistance, they won't introduce any electronic noise. In other ways electronic switches are better: no bounce, they can be ramped... It's not black and white, and nobody ever who understands a switch (duh) argued that it is.
Its not quite that simple however. Cables, wires, traces, leads, they all have resistance AND capacitance to them. Its small, but real. And those factors can degrade your signal (usually in the form treble loss, but can get into the upper mids sometimes). The more stuff between your guitar and your amp, the bigger a problem this can be. So if you're on stage with a 50ft cable, or with 30 pedals warming the floor in front of you, your sound may end up a bit more wooly than you'd expect.
Enter the buffer. Even a simple buffer (assuming its well designed) will keep your signal strong and healthy. Unfortunately, some pedals don't play well with the high input/low output impedance of buffers, so you need to take that into account when building your effects order (early Fuzzes and Wah pedals are notorious for this).
And, oddly enough, some artists actually LIKE that cable induced signal degradation (example, Jimi Hendrix had a fondness for extra long coiled cables because they "warmed up" his tone).
So in reality, both true-bypass and buffered-bypass have their uses. What will be best depends on the needs of the circuit, the wants of the player, and the individual situation of the rig.
I honestly can't understand how this topic can be made up to be such a complicated issue. I have used thousands of 3PDT switches, I've only ever had three switches that were bad from the start. One didn't switch at all, two were loud. But neither I nor anyone else I've sold to ever had a problem with noise from switching. Maybe there are fundamental quality differences between them, I don't know. But if that really is a problem, buffered bypass (use an opamp instead of transistors if you intend to cascade more of these) with JFETs or optocouplers can be made silent. Instead of "cutting" the signal like a harware switch does, their resistance can be ramped up or down over the course of a couple milliseconds.