anyone happen to have a drill template for a Small Bear "B" "z vex" sized box? Thanks.
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.
Show posts MenuQuote from: Guybrush on June 25, 2012, 05:19:35 AM
Thanks for the info everyone. I've been looking for a Hakko fx888 here in the uk. The only place I can find them on sale over here is at this place http://www.dancap.co.uk/soldering/fx888pricelist.htm They're selling for £88 ($137). Is that a reasonable price?
Quote from: madbean on June 26, 2012, 07:30:32 PM
Huh----I don't even remember writing that. Must have been a while back! For the most part, it's still true for me, although more and more I appreciate a simple treble cut as a tone control. IMO, if an overdrive is well designed you should not end up with either an excess or deficiency in treble content in its nominal setting. When that is the case, you really only need a very limited amount of treble cut or boost as a control. A lot of tone controls go way overboard in this area!
Tone controls are also overused in effects sometimes, I think. It's as if people include them more out of habit than necessity. Personally, I almost always prefer fiddling with the tone control on the guitar. The exception is in certain active controls, where you can get some nice boost in mid-range.
In general, I prefer discrete based overdrives over op-amp ones. Of my own projects, the FatPants is a good example of what I like. I don't really have a favorite necessarily and the only non-DIY OD I own is a TS-10. I'm actually still digging the natural overdrive I get out of my Vox amps---the overdrives and boosts just give it a bit more icing.
Quotelike the pedals, but they are not the "go-to"ones for me anymore. I've used both on some studio recordings and the TIM has a really nice presence about it with both channels engaged. However, I think I prefer a traditional tone control (or none at all) to his bass-treble cut designs. It's just too tempting to fiddle with them, when what I really want is just one great, identifiable sound out of each pedal I own (hey, versatility is over-rated, right?)
Quote from: jkokura on June 18, 2012, 09:19:31 PM
Just so you're aware, you're probably talking about the Chunk Chunk, just in case it becomes confusing. Likely everyone here knows what you mean, but I wanted to help you out some.
Also, I would say that the three circuits you're talking about are DRASTICALLY different. It's really a big discussion, but to sum it up, all three are so different it's like comparing Apples, Oranges and Bananas.
All three are good though, in their own ways.
Jacob
Quote from: jkokura on August 14, 2011, 11:47:29 AM
The BSIAB is also a candidate.
Jacob
Quote from: J0K3RX on August 14, 2011, 12:14:24 PMQuote from: Beedoola on August 14, 2011, 11:14:34 AM
I built Slow loris, and though it's an awesome circuit, I want something a little tighter. What would you suggest? I was looking into the Riot or Dr. Boogie..
I built the Dr. Boogie or "Chunk Chunk" it has tons of gain and can be very tight (great for metal) depending on the settings... Excellent all around disto box! I actually use it direct into the PC usb interface with some cab impulses and "holy mother of metal" it sounds good! You wouldn't guest that it wasn't a real boogie... I wouldn't say it has the tone of a Mark IIC+ but it does all the rest.. I am having some trouble with the Uproar but if I get it going I will probably have to go with that since that is more my kinda tone... If I can only work the bugs outa mine I will be all set! The Chunk Chunk is a harder build but for some reason it was easier to get up and running than the Uproar..? Can't go wrong with the Dr. Boogie in my opinion...